Hi everyone!
And welcome to A Writer In Vienna. If you’ve
never been here before, pull up a chair and look around. I’ve lived in Vienna,
Austria four years and am trying to share that experience with others. Drop by
my other blog www.lynncrain.blogspot.com for Monday’s Scoop where I talk even more about the experience. While
there, don’t forget to comment and be entered into my monthly contest for a $25
GC of your choice.
Today’s topic is all about what glues you to a
story, start to finish. This also includes how we as authors hook our readers. These
are age old topics for writers and aren’t to be taken lightly. If you can’t
interest a reader immediately in today’s publishing world, you don’t have a
chance. If you don’t live up to your hook, you don’t have a chance of being
picked up again by that reader.
So…what’s an author to do? Write a great first
line, of course!
To me, some of the things a first line,
commonly called your hook line, should do, but not necessarily all of them,
are:
T State
something unusual.
T Show
someone under stress. For example, if your main character is a time traveler,
how they handle what they see and experience will decide the course of the
story.
T The
first must be appropriate to the story. You don’t show a nun, who is having a
crisis of faith, in the middle of a barrage of gunfire.
T It
should describe the moment when the rest of the novel becomes inevitable.
T The
first line should sum up the whole story.
T They
must make the reader want to read line two.
Overall, a first line or hook, should be
clever, thought-provoking, draw the reader into an unfamiliar world, bring a
smile to the readers face, be poignant, setup a mystery, use words in such a wonderful
way that the reader wants more, introduce a characters and so much more. Those
are just a few of the things I feel a first line should do.
Just think of some of the best first lines you’ve
read. Here a few of mine:
It is a truth
universally acknowledged, that a single man in possession of a good fortune
must be in want of a wife. (Pride and Prejudice, Jane Austen, 1813)
Harry Potter was a very unusual boy in many
ways. (Harry Potter and
the Prisoner of Azkaban, J.K. Rowling, 1999)
He was running for his life. (Hot Ice, Nora Roberts, 1987)
And here’s a few from my own stories:
Damn, I’m
going to lose another one, MacKenzie thought as she beat the steering wheel
with her fist. (Midnight Run, Lynn
Crain, 2010 unpublished)
He had always been in this cage in one way or
another. (Night of the Blue
Moon, Lynn Crain, 2007)
What the hell was I doing on this off-planet
hell hole? (Private Dancer,
Lynn Crain, 2007)
The first line
sets the tone for of the rest of the novel, everything else of the story will
follow from it. If the first line isn’t something an author can feel in their
gut, it’s probably wrong.
Now once you’ve
written that great first line, you need to keep the pace going so that every
page is integral to the overall story arc of the characters. Again, think of
all the books you couldn’t put down. The books I listed above were finished in
a day or no more than a few days because every page was a turner.
As a writer, it’s
hard to make every page something great. The idea is to first get the story
down as if it never gets out of one’s head and on the page, it doesn’t matter.
Once there, an author can tweak it, read it again, send it to betas, tweak it
some more, have an editor look at it and finally get it published because it
shines like a new copper penny.
Some writers
think there is a secret to making great page turners. There isn’t. A writer’s
greatest tool is the ability to change and adapt, to make their product better
as their career moves on. What and how I write today isn’t the same as how I
wrote in my late twenties. I’m better and I know it.
And as a
writer, I will learn and grow until I can’t any more. Even today, I take
classes. Currently, I’m in two marketing classes, a flash-fiction class and a
class on how to create a language. I feel it will all make me a better writer.
Overall, I try to write stories I like to read.
I love things to be thrilling and constantly changing. Some of my
works-in-progress reflect that as I’m working on a series of short stories
about a paranormal matchmaking service, a series of shorts about a group of
women who were genetically engineered to be soldiers, and a series about a
young girl thrust into the world of paranormal investigation. Each and every
story is unique. Hopefully, they have a great hook, an incredible middle and a
kick-ass ending.
I hope you’ve enjoyed this little look into writing
great hooks and page turners. Thank you for being supportive of us during our
round robins. We love when you visit us and tell us what you think.
Don’t forget to go to each of the authors in
the list below. Again, thanks for joining us…see you next time.
Lynn
T Beverley Bateman at http://beverleybateman.blogspot.ca/
T Diane Bator http://dbator.blogspot.ca/q
T Ginger Simpson http://mizging.blogspot.com/
T Skye Taylor http://www.skye-writer.com/
T Marci Baun at http://www.marcibaun.com/
T Margaret Fieland at http://www.margaretfieland.com/blog1/
T Diane Bator http://dbator.blogspot.ca/q
T Ginger Simpson http://mizging.blogspot.com/
T Skye Taylor http://www.skye-writer.com/
T Marci Baun at http://www.marcibaun.com/
T Margaret Fieland at http://www.margaretfieland.com/blog1/
T Helena Fairfax at http://helenafairfax.com/
T Anne Stenhouse at http://annestenhousenovelist.wordpress.com/
T Fiona McGier at http://www.fionamcgier.com/
T Connie Vines at http://connievines.blogspot.com/
T Rachael
Kosnski http://rachaelkosinski.weebly.com/T Anne Stenhouse at http://annestenhousenovelist.wordpress.com/
T Fiona McGier at http://www.fionamcgier.com/
T Connie Vines at http://connievines.blogspot.com/
T Victoria Chatham http://victoriachatham.webs.
